|
|
|
|
| Overview |
While
exploring fiction and nonfiction ocean books, students explore the craft elements
of simile and metaphor, creating their own names and definitions of these figures
of speech. Rather than placing the emphasis on learning a list of formal figures
of speech, this process initiates play and discovery of the “wondrous
words” that make up the books they explore in this ocean unit.
Using the figurative language they have identified in their readings as a model,
students revise their own work to add simile and metaphor. The students are
then invited to write new pieces that include figurative language as part of
a class book.
|
| From Theory to Practice |
This lesson explores figurative language comparisons formally
known as simile and metaphor; however, the focus of the lesson is on exploring
the ways that authors use words rather than on the official terminology for language
use. In Wondrous
Words: Writers and Writing in the Elementary Classroom, author Katie
Wood Ray advises, “Give it [the craft element you identify in a text] a
name so you can refer to it easily in the future as you study craft and as you writing your
own texts”; yet the name that
students use need not be the formal, “correct” name (42). The formal
name of the element simply detracts from the ways that writers work. As Ray
explains, “What's important is that, in seeing it and naming it for yourself,
you have a new vision of what’s possible when you try to write well” (42).
When we do use formal names for craft elements, best practice
pairs such words with students’ definitions of the elements. Ray and Lisa
Cleaveland say, “We
are careful to use the words most writers in the world use for the important
concepts of writing . . . if we embed kid-friendly explanations of what they
mean…we
need not shy away from the words themselves” (98).
Further Reading:
Ray, Katie Wood. Wondrous Words: Writers and Writing in the Elementary Classroom. Urbana, IL: NCTE, 1999.
Cleaveland, Lisa and Ray, Katie Wood. About
the Authors: Writing Workshop with Our Youngest Writers. Portsmouth, NH:
Heinemann, 2004.
|
| Student Objectives |
Students will
- participate in large group sessions, volunteering interesting comparisons in oral discussions.
- add ideas to an ongoing class chart with figurative language.
- add words to class charts devoted to an ocean theme.
- dictate or write about ocean creatures using similes and metaphors and comparison
words.
- illustrate their comparisons.
- create a page for a class book.
- assess their efforts using a checklist.
|
| Instructional Plan |
Resources
Preparation
- Gather copies of books on the ocean or other theme, as well as books that feature figurative language. Suggested texts include The Sea House by Deborah Turney Zagwyn and My Visit to the Aquarium by Aliki.
- Make appropriate copies of the Guided
Practice Worksheet, Independent
Worksheet, and Self-Assessment
Checklist.
- If computers are available, review the Multigenre Mapper and
decide whether to use the online tool or the printed Template for Younger
Students or Older Students. If computers are not available, make copies of the template that is most appropriate for your students.
- If you are using the online option, test the Multigenre
Mapper on your classroom computer(s) to familiarize yourself with the
tools and ensure that you have the Flash plug-in installed. You can download
the plug-in from the technical
support page.
Instruction and Activities
Session One
- Using some of the ocean books, show pictures of whales, fish, and
ocean creatures. Picture walk through the book. Do
not read the stories at this point.
- Encourage the students to discuss what they see in the pictures.
- Prompt students to finish sentence stems such as “The whale is as
big as ___________” or “The
fish is as scary like a ____________.”
- As the students complete the sentence stems and add their own statements,
record their responses on chart paper or the board.
- After sharing the pictures, invite students to read their comments from
the chart or board aloud.
- Ask students what the statements have in common. Elicit the fact many
use like or as.
- From this discussion, explain that many of the statements provided by the students compare two unlike things.
- Ask students to craft their own name and definition of these comparisons
(formally, they are similes). Post their responses on chart paper or the
board. A possible definition is “when two things are compared
using the word like or as.” What is important
is for students to be able to describe the comparisons, not to use
the words simile.
- Invite the students to act as detectives in the coming days. Ask them to tell you when they hear or think of a simile. Add such statements to the chart, or have the children do the writing.
- If there is time left in the session, use the Stapleless
Book to illustrate similes. When the book is folded, there will be a
page on the left and a page on the right. For instance, if the simile was "A
shark is as scary as a tornado",
the students could draw a shark on the left side of the book, and a tornado
on the right side.
Session Two
- Picture walk through the pages of The Sea House by Deborah
Turney Zagwyn or My Visit to the Aquarium by Aliki.
- Provide time for the students to discuss the pictures. Some may choose
to use similes, using the definition and name(s) that students chose for
the literary element in the previous session. Record comments on chart
paper or the board.
- Model another way to compare unlike items, by rephrasing some of their
comments into metaphors.
- Ask the students to describe the similarities and differences between similes and metaphors.
- Invite the students to rephrase some of their comments from the chart
or board about the story as metaphors. Again, record the students’ phrases
and note their use of figurative language.
- Read the book once through to give students a general sense of the story.
- Flip through the pages a second time, pausing and prompting students to
complete comparisons, as shown on the activity sheet for The Sea House or the
sheet for My Visit to the Aquarium. For instance, after
reading the Walt Whitman poem, prompt by saying, “The sea is a ___________.” (miracle)
- Record students’ words when stated as a metaphor.
- Ask students to review their own statements, asking them to identify
their similarities. Ask them to consider how these statements compare two
unlike things without using like or as.
- Ask students to craft their own name and definition of these comparisons
(formally, they are metaphors). Post their responses on chart paper or the
board, focusing on the aspect of direct comparison. Again, what
is important is for the students to describe the comparisons,
not to use the word metaphor.
- Ask students to look for examples of this type of figurative language device
as they read texts over the next days. When they find examples, add the
phrases to the chart.
- If students notice the difference between the two kinds of comparisons
that you have studied in these sessions, reinforce their discovery and adjust
their definitions as necessary. If students do not recognize the difference,
you might ask leading questions to help them see the contrast, but do not
over-emphasize this process. The focus of this lesson should be on the pleasant
sound of words and phrases, and students’ explorations and discovery
should be self-guided, never forced or overt.
- Draw a chart with a large rectangle, divided in half, similar to the Template
for Younger Students. On one side of the rectangle, ask students to draw
a picture of an ocean creature. On the other side, ask students to draw the
item they are comparing the ocean animal to. To provide students with an
example, draw a picture of ocean waves on the left side of the rectangle
and a treasure chest on the right to illustrate the comparison “the
ocean is a treasure.”
Session Three
- To connect with the work that they students have done in their reading,
explain that the class will be revising some their own writing and adding
comparison phrases, explaining the activity by referring to the definitions
and terms that students have chosen for similes and metaphors.
- Ask students to suggest reasons that writers use similes and metaphors. Possible answers include “It makes the writing more interesting” and “It is fun to read the sentences and phrases when different things are compared.”
- Pass out copies of the Guided Practice Worksheet or display a transparency
of the sheet. Discuss the directions with the students, and demonstrate
the process with an example sentence. More experienced students can also
use the Independent
Worksheet and select passages from their
own writing to revise.
- Use the rest of this session to work on the Guided Practice Worksheet individually, in pairs or small groups, or as a whole class.
- Allow time for the students to share some of their revisions with the class.
Session Four
- When everyone in the class has had a chance to revise for similes
and metaphors, explain that the class will make a book on the ocean that
features the comparisons you have been exploring. Use the language that
students have chosen for their definitions and names for the elements.
- Ask each student to choose an ocean animal. Work for a range of animals, avoiding repetition if possible.
- Explain the process you have chosen for students to use for the class book,
following the relevant details below, referring to the Ocean
Comparison Sheet for an example:
- Pass out copies of the Template for Younger
Students or Older Students and
explain the worksheet.
- Demonstrate the Multigenre Mapper and explain how students will use each of the areas of the tool:
- In Section A, write the name of the subject, the ocean animal each
student has chosen.
- In Section B, write something about what you are comparing the
ocean animal to.
- In Section C, write a sentence comparison.
- In the drawing area, draw the ocean creature and/or what is named
in space B.
- Provide time for students to work on their page of the class book. Encourage
students to use the ocean books that are available in the classroom for reference
and research.
- Circulate and help children in very short writing conferences.
- Ask students to print at least two copies of their pages—one for
the class book and another for each student to keep and share with family
members.
- Have a circle sharing time as projects are finished, or plan to have a few children share each day.
Extensions
- Using their ocean theme, students could write a shape poem, using the online Shape Poems interactive.
- More advanced students can create a Venn
Diagram, comparing the attributes of Similes and Metaphors. Focus the
exploration on the definitions and terms that students use naturally, rather
than on using the formal names for the figures of speech.
- The class as a whole, or individual students, can use the Alphabet
Organizer to create an ocean-themed student dictionary or alphabet
book. Invite students to brainstorm words to enter (all letters do not
have to be represented). The online tool allows students to enter one word,
more than one word, or a word and related notes for each letter of the
alphabet. Print the finished pages, and encourage students to add to the
book on an ongoing basis.
Web Resources
- Ocean Life, from Scholastic
http://teacher.scholastic.com/activities/explorer/oceanlife/
- Students can explore the endangered ecosystems of the ocean—and learn about the turtles and dolphins that live in these ecosystems. A Teacher's Guide is also available on the site.
- Ocean Living, from the National Zoo
http://nationalzoo.si.edu/Animals/OceanLiving/
- This National Zoo site includes details on marine life and Aquatic Animals as well as images of many animals. The site's Octopus Cam can provide live feed of underwater creatures.
|
| Student Assessment/Reflections |
- Base your assessments—formal or informal—on your students’ needs,
focusing on elements such as the following:
- student participation in whole-group discussions.
- student participation in writing assignments.
- quality of participation in discovery of examples of comparison.
- quality of content in student books, especially comparison sentences.
- student participation in discussion about their page in the class book.
- When the class book is completed and published, provide time for the students
to share their work with the rest of the class. Invite the students to complete
the Self-Assessment Checklist, which prompts them to think about the
work that they have accomplished and the steps they have completed.
- If students print out a Multigenre Mapper or complete a handout, provide feedback as
you normally would. If you choose a more formal assessment strategy, use
the following guiding questions:
- Did the student add comments or write phrases on the comparison chart?
- Did the student volunteer appropriate words for the online interactive or printed template?
- Did the student include appropriate figurative language in the writing projects?
- Did the student speak up during the day when similes and metaphors
were noticed, other than in writing class?
|
3 - Students apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts. They draw on their prior experience, their interactions with other readers and writers, their knowledge of word meaning and of other texts, their word identification strategies, and their understanding of textual features (e.g., sound-letter correspondence, sentence structure, context, graphics).
4 - Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes.
5 - Students employ a wide range of strategies as they write and use different writing process elements appropriately to communicate with different audiences for a variety of purposes.
6 - Students apply knowledge of language structure, language conventions (e.g., spelling and punctuation), media techniques, figurative language, and genre to create, critique, and discuss print and nonprint texts.
11 - Students participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.
12 - Students use spoken, written, and visual language to accomplish their own purposes (e.g., for learning, enjoyment, persuasion, and the exchange of information).
|
|
|